A long-form interview podcast

Wavelength

Two-hour conversations with people who think for a living — scientists, founders, artists, and the occasional contrarian.

New episode every Tuesday.
Editorial music photograph of a large-diaphragm condenser microphone with a pop filter inside a vocal booth framed by deep red acoustic panels
A Podcast

Wave
length

Hosted by Naomi Adeyemi

218 episodes · Independent since 2019

Now playing — latest episode

The neuroscientist who maps boredom

EP 142 · 1:21:50
28:14 1:21:50

218

Episodes published

14.8M

Total downloads

4.9

Avg rating · 24,408 ratings

148

Countries reached

As heard on

The Lantern Review / Meridian Magazine / The Driftwood Post / Slow Culture Weekly / Aperture Quarterly / The Common Hour / Threshold Books Journal / The Lantern Review / Meridian Magazine / The Driftwood Post / Slow Culture Weekly / Aperture Quarterly / The Common Hour / Threshold Books Journal /

Recent conversations

Latest episodes

Browse all 218
EP 142

The neuroscientist who maps boredom

Why the brain treats an empty afternoon as a problem to solve — and what we lose when we never let it.

EP 141

A war reporter on telling the truth slowly

Thirty years in conflict zones taught her that the fastest story is almost never the most honest one.

EP 140

The luthier who builds violins for the dead

A craftsman restores instruments orphaned by war, and explains what wood remembers that we forget.

EP 139

The founder who shut down a profitable company

She walked away from eight figures of revenue — and argues that growth was the easiest thing to question.

EP 138

The cartographer of disappearing languages

He records the last fluent speakers of dying tongues — and what each silence costs the rest of us.

EP 137

The economist who studies what people regret

After 40,000 interviews, she found regret follows rules — and most of them have nothing to do with money.

About the show

An unhurried hour, then another.

2 hours

The average conversation length

Wavelength began as a simple frustration: every interview Naomi Adeyemi wanted to hear ended right as it got interesting. So she built a show with no clock on the wall — one where a guest can think out loud, contradict themselves, circle back, and arrive somewhere neither of them expected.

The format is deliberately old-fashioned. No co-host banter, no rapid-fire segments, no soundbite engineered for a clip. Just two chairs, two microphones, and a host who has actually read the work. Guests are scientists and founders and novelists and the occasional contrarian — anyone who treats thinking as their craft and is willing to do it on tape.

Two hours is the point, not the price of admission. It takes the first forty minutes for a conversation to shed its press-tour reflexes. What remains — the part most shows cut — is the reason this one exists.

Your host

The voice in the chair

NA

Naomi Adeyemi

Host

A former foreign-desk journalist and oral historian who spent a decade interviewing people for newspapers before deciding the best parts never made the page.

@naomi.adeyemi
“Most interview shows feel like a transaction. Wavelength feels like being trusted with a long, slow afternoon — the kind of conversation you only get from people who genuinely have nowhere else to be.”
DR

Diego Ramos

Five-star review · Apple Podcasts

The Wavelength Letter

A short note with every episode

Each Tuesday: the new conversation, three things from the guest worth reading, and a passage from the transcript that stayed with the host. No more than once a week — sent the morning the episode drops.

Free · Unsubscribe in one click · 31,200 readers

Issue No. 142 Tue, Feb 17

On boredom, and what it is for

“A bored mind isn't idle. It's a mind searching the room for the next thing worth wanting.”

The full archive

218 episodes — browse by guest or by theme

Wavelength has no seasons. It's one long, unbroken run since 2019 — every conversation still live, still worth your evening. The archive is sorted two ways: by the person in the chair, or by the question the episode was really about.

Open the archive

42 episodes

Mind & brain

38 episodes

Building things

35 episodes

Art & craft

29 episodes

History & memory

41 episodes

Science & nature

33 episodes

The contrarians

Good questions

Frequently asked

How long are episodes, really?

Most land between one hour forty and two hours twenty. We don't pad and we don't trim to a target — the conversation ends when it's genuinely finished. If you only have a commute, every episode is split into chapters so you can pause at a natural seam and pick up later without losing the thread.

Where can I get transcripts?

Every episode has a full, human-checked transcript published the same day, linked from the episode page and the show notes. They're free, searchable, and timestamped to the audio. Subscribers to the Wavelength Letter also get a short pull-quote digest if you'd rather skim before you listen.

How do I pitch a guest?

Email [email protected] with a few sentences on who they are and the one question you'd want them asked. We read everything, though we book months ahead, so a reply can take a while. The best pitches name a specific idea the person has changed their mind about — that's usually where a two-hour conversation finds its center.

Are episodes edited or raw?

Lightly edited, never reshaped. We remove false starts, long technical fumbles, and the occasional interruption — nothing else. We don't cut a guest's hesitations, tangents, or second thoughts, because that thinking-in-real-time is the entire reason the show runs long. What you hear is the order it happened in.

Is there an ad-free version?

Yes. Wavelength runs two short host-read sponsorships per episode; a listener-supported membership removes them and adds the occasional extended cut. It's pay-what-you-can — the show stays fully independent either way, and no episode is ever locked behind the paywall.

New episode every Tuesday

Find your wavelength

Subscribe wherever you listen and the next two-hour conversation arrives on its own. Start with one — the archive isn't going anywhere.