Eli Vasquez directs film, commercial, and music work with a single rule — hold the frame one beat longer than comfortable. Twelve films, three festival cuts, zero shortcuts.
Eli came up cutting wedding films in a back bedroom and never lost the instinct for the real moment over the staged one. Twelve years later the cameras are bigger and the rule is the same: shoot for the cut you can't look away from. Represented for commercial work; available for select narrative projects each year.
Two narrative slots and a handful of commercial dates open each quarter. Send a treatment, a deck, or three lines about the idea — Eli reads every one.