Available · 1 spot · Q3 2026

Yuki Tanaka— brand designer, Tokyo.

I help founders find the visual language that already wants to come out of the company they're building. Identity systems, wordmarks, and the few hundred small decisions in between — typography, motion, paper, the way a press kit folds.

11 yr
practicing brand
38
identities shipped
¥0
spent on advertising
Tama A.U.
BA, 2014
§ Clients — selected, 2018–2025
Atrium Reverb Hana Pottery Cargo Studio Foundry & Co Northwind Halcyon Quartermast Brightwave Linnea Atrium Reverb Hana Pottery Cargo Studio Foundry & Co Northwind Halcyon Quartermast Brightwave Linnea

Selected work

§ Work — selected 2018–2025
04 of 38 shown

Writing & talks

§ Essays · talks · podcasts
08 entries
  1. 2026 · 03
    Brand systems are conversations, not constitutions
    A long essay on letting an identity system change shape over the first 18 months. Argues against the lockdown brand guideline.
  2. 2025 · 11
    The wordmark before the company
    Talk at Brand New Conf 2025, Brooklyn. 32 minutes on starting an identity at the name rather than the logo.
  3. 2025 · 07
    Guest on Design Details, ep. 412
    On ikebana, asymmetry, and why most SaaS wordmarks read as nervous.
  4. 2025 · 04
    A small field guide to negative space
    Self-published zine, 48 pages, two-color risograph. Sold out of 800; second print in autumn.
  5. 2024 · 10
    How Atrium chose its wordmark
    Case study, published with the Atrium team. Six rejected directions, one chosen, with the actual conversation that got us there.
  6. 2024 · 06
    Type design without a type designer
    Workshop at Type@Tokyo. Practical drawing exercises for designers who commission custom display faces but don't draw them.
  7. 2023 · 09
    Hana Pottery — a year-one identity post-mortem
    What survived the first year of selling, what didn't, and which parts of the system the team threw away within month three.
  8. 2022 · 02
    Why I left agency work, briefly
    A short essay on going back to a studio of two. Has been quietly resharing itself for four years; I no longer reread it.

About

I went to Tama Art University in Tokyo and spent four years at a Sogetsu ikebana studio before landing in brand design through a side door — I think arrangement, balance, and negative space matter more than which Pantone you choose. Most identities I see in tech overstate their case. I try to undersell mine.

I started Cargo Studio in 2023 with my partner, a copywriter named Rin. We work in a converted concrete print shop in Musashino, take three engagements a year, and refuse anything that doesn't have a person attached at the other end — the work is too slow to do for a deck.

Outside the studio I cook, walk Tokyo at night, and keep an ikebana practice — ten arrangements a month, posted nowhere. The discipline of not publishing them is the part that matters.

§ Places I've worked
  • 2023 — NowCargo StudioCo-founder & designer
  • 2020 — 2023MercurySenior brand designer
  • 2017 — 2020Foundry & Co.Brand designer, Tokyo
  • 2014 — 2017Sogetsu Ikebana StudioAssistant arranger
§ Things I make outside work
  • — Ikebana, weekly, undocumented
  • — Letterpress holiday cards
  • — A small zine called Quiet Hours
  • — Sourdough I keep getting wrong
§ Now
dated · 2026.04.18 · Musashino

Currently consulting for 3 early-stage founders on visual identity systems. Drawing a custom display face for a quiet little fintech. Open to one more engagement starting Q3 2026 — preferably a product I'd use myself.

§ Contact — preferred
yuki@cargostudio.jp

Send a paragraph or two — what you're building, when you'd want to start, and what you've already tried. I reply within 48 h on weekdays.

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