Yuki Tanaka— brand designer, Tokyo.
I help founders find the visual language that already wants to come out of the company they're building. Identity systems, wordmarks, and the few hundred small decisions in between — typography, motion, paper, the way a press kit folds.
Selected work
04 of 38 shown
Reverb
02 / 2023Hana Pottery
03 / 2023Cargo Studio
ongoingWriting & talks
08 entries
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2026 · 03Brand systems are conversations, not constitutionsA long essay on letting an identity system change shape over the first 18 months. Argues against the lockdown brand guideline.Essay · cargostudio.jp
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2025 · 11The wordmark before the companyTalk at Brand New Conf 2025, Brooklyn. 32 minutes on starting an identity at the name rather than the logo.Talk · Brand New
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2025 · 07Guest on Design Details, ep. 412On ikebana, asymmetry, and why most SaaS wordmarks read as nervous.Podcast · 1h 04m
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2025 · 04A small field guide to negative spaceSelf-published zine, 48 pages, two-color risograph. Sold out of 800; second print in autumn.Print · 48pp
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2024 · 10How Atrium chose its wordmarkCase study, published with the Atrium team. Six rejected directions, one chosen, with the actual conversation that got us there.Case study
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2024 · 06Type design without a type designerWorkshop at Type@Tokyo. Practical drawing exercises for designers who commission custom display faces but don't draw them.Workshop · 3h
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2023 · 09Hana Pottery — a year-one identity post-mortemWhat survived the first year of selling, what didn't, and which parts of the system the team threw away within month three.Essay · 14 min
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2022 · 02Why I left agency work, brieflyA short essay on going back to a studio of two. Has been quietly resharing itself for four years; I no longer reread it.Essay · 6 min
About
I went to Tama Art University in Tokyo and spent four years at a Sogetsu ikebana studio before landing in brand design through a side door — I think arrangement, balance, and negative space matter more than which Pantone you choose. Most identities I see in tech overstate their case. I try to undersell mine.
I started Cargo Studio in 2023 with my partner, a copywriter named Rin. We work in a converted concrete print shop in Musashino, take three engagements a year, and refuse anything that doesn't have a person attached at the other end — the work is too slow to do for a deck.
Outside the studio I cook, walk Tokyo at night, and keep an ikebana practice — ten arrangements a month, posted nowhere. The discipline of not publishing them is the part that matters.
- 2023 — NowCargo StudioCo-founder & designer
- 2020 — 2023MercurySenior brand designer
- 2017 — 2020Foundry & Co.Brand designer, Tokyo
- 2014 — 2017Sogetsu Ikebana StudioAssistant arranger
- — Ikebana, weekly, undocumented
- — Letterpress holiday cards
- — A small zine called Quiet Hours
- — Sourdough I keep getting wrong
dated · 2026.04.18 · Musashino
Currently consulting for 3 early-stage founders on visual identity systems. Drawing a custom display face for a quiet little fintech. Open to one more engagement starting Q3 2026 — preferably a product I'd use myself.
Send a paragraph or two — what you're building, when you'd want to start, and what you've already tried. I reply within 48 h on weekdays.